The problem is that compositors typically don't have the notion of 3D scene.
It's all just a stack of layers, one window per layer. There is no shadow to speak of, only a mask around the window that provides the illusion of shadow. So there is no real interaction between all those items, no source of light, no distance, and no way to do ray tracing or some other techniques.
>All the other lines set options to their default value, which is pointless.
I kinda like doing this for some programs, both as a way to see the current settings at a glance, and to avoid issues if defaults change in an update. At least twice mpv has changed default behavior and ruined my day. Once when they made scrolling vertically change volume instead of seeking (trying to match VLC?), and once when they disabled subtitles if the language matched the audio. Both easy to fix in the config file, both cases where I liked the default until they changed it.
Thanks,I will have to revisit the settings. These are from the move to vim 7.0. 7.0 without these settings was a nightmare and if one was missing it would not work the way I wanted it to.
Conspiracy theorists have that special ability to jump to the most implausible conclusions from the smallest amount of facts.
I tried to watch The Age Of Disclosure and, well… Everyone in it manages to stay relatively reasonable during the first fourth of the movie. Until they decide that the most likely explanation of all those unexplained phenomenons is a race of technologically advanced extraterrestrials hiding at the bottom of the ocean for thousands of years.
It went from "we don't know anything" to "it's threatening aquatic ETs" in a heartbeat. It was almost scary.
Fascinating. I haven’t seen The Age of Disclosure, though I have talked to the ancient aliens who live at the bottom of the sea and they’re pretty okay. It’s that American government shooting down one of their craft and experimenting on the survivors that should be concerning.
They helped make Abyss and genuinely thought a day would arrive when we could be friends. The global white nationalist power coup has exterminated moralists from the world, long standing family lines with good relations to our Earthly cohabitants have been brutally murdered throughout America and the world. And yes the true great secret is that we are not alone in our own minds, and there is a substantial population of humans who can travel among and manipulate your thoughts through entanglement. Those Greys at the bottom of the ocean speak with a great many and share their stories through our lore, yet sadly Man is treacherous.
You can try what Apple calls "fast user switching", which is actually pretty fast. The last (and only) time I used it, my days were split half-and-half between two projects for two clients, each with its own infrastructure. I did that primarily to help me focus but it had one pretty cool perk that I've been missing ever since: isolated accounts meant that I never had to worry about which Git/$SAAS/whatever user was currently authenticated and managing keys and such was a breeze as there was no "managing" needed, really.
I could do it because I had _some_ level of control on my work machine. Now that I work for a much larger organisation… I can't even imagine how hard it would be to have such a setup.
I don't know how usable it is in practice if you are switching contexts every 10 minutes, though.
FWIW, I use Chrome 145.0.7632.117 on a M1 MacBook Pro and I just got a notification suggesting me to "correct" the o'rer tab because it used too much resource. I was looking at the details of my Transilien station.
Also, looking a the same "details" popin, I see some irrelevant info when I click on the "alert sign" of a Transilien line (Line N in this case): something about bus stops.
I have a couple of questions about the API:
I've looked at the data provided by IDFM and SNCF a few times but I was never able to find a way to match a commercial train number, say "134671", to a physical train number, say "211L" or "Z50421/22" or the more complicated EVN. Did you, by any chance come upon such a thing?
Also, could you confirm that the only data available concerns _departure_ times?
Funny how they use the term "City of Darkness" a few times, without ever referring to the book "City of Darkness", by Greg Girard and Ian Lambot, from which most of the pictures in the article come.
