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No. What makes it so enjoyable is that it doesn't happen every day. That makes it a special occasion. It means that when you meet your co-workers in person, the quality of the interaction is most likely higher than if you saw them 5 times a week.

Take any single enjoyable thing and do it 5 times a week, every week. You'd have a law of diminishing returns situation. You'd get to a point where you no longer derive enjoyment from it and you may start to resent it.


Take any single enjoyable thing and do it 5 times a week, every week. You'd have a law of diminishing returns situation. You'd get to a point where you no longer derive enjoyment from it and you may start to resent it.

Not to be glib, but does that apply to working from home?


Why would it apply to working from home?

Ones options are: -Wake up, fire up computer, start working, do whatever throughout the day, when day ends you are at home, no need for commute. OR -Wake up, get dressed, take shower, drive to train station, take train, get to work, work from desk all day, take train home, drive home, wonder what you will do for dinner since you got home so late.

Which one do you think one might derive more enjoyment from and which do you think one might be more likely to resent?


Maybe, but remote work is not the same as working from home.


Quirky Bob becomes Annoying Bob when he's down the hall and you have to deal with him every day.


I came up with the same idea a while ago, except I would fit dinner in either after work/before bed or after waking up/before the day job. I never got to try it out though, because when you live with others who are on a regular sleep schedule, there will be plenty of conflicts.

I'm still itching to try this if/when I ever get my own place. It's basically a normal day with the sleep and personal time portions swapped. It's easy to come up with the idea since it's the only flexibility possible when your work time is non-adjustable.


What, no love for Goof Troop, or Histeria? No, that was when you could tell they were out of ideas.

But seriously, does anyone remember Freakazoid? I only saw a few episodes, but I remember it being very funny.


Yes I remember Freakazoid, I enjoyed it alot with the excellent animation and all the pop culture references/jokes.

Then we had all the imaginative villains like Candle Jack and t


Loved Dexter's Laboratory. I missed most of Samurai Jack, but what I did see was good. Adult Swim is currently showing Sym-Bionic Titan on Saturdays at 2am (so that would technically be Sunday at 2am). It's pretty good too.


Did they make more than one season of Sym-Bionic Titan? I thought the art was gorgeous, but it felt like a decent high school drama, an awesome "large mecha fighting monsters" drama, but that the two halves didn't blend well at all. The strongest episodes were the ones that were either entirely in the high school, or entirely in the suit.

I also enjoyed the political stuff & (oddly) the robot dating the cheerleader.


I was a Duck Tales junkie but my love of good cartoons goes before that. I was raised on Looney Tunes and Tom & Jerry, before they were censored and rehashed multiple times. I remember religiously watching Danger Mouse, Bananaman, and Count Duckula on Nickelodeon in its infancy. Most people remember the original Thundercats, but I was more into Silverhawks which was around at the same time as Duck Tales.

I always came home from school to cartoons, whether it was Looney Tunes, something from Hanna-Barbera, Transformers, G.I. Joe, old anime like Speed Racer and Robotech (Macross), TMNT, or the various Disney and Warner Bros.-inspired cartoons mentioned in the article. I still watch cartoons, and always will.


"Right DM, but what if somebody's parked there?"

"Penfold, shush."

I miss that show.


On Hulu now, if you feel nostalgic.

I still have a VHS of DM episodes that I taped during the 80's , I still dig out the VCR once a year and watch it (with commercials) just to get the nostalgia hit.


Yes. The Tower of Terror. The bad luck eye of the little yellow god. The custard mite episode.

That show was always funny. My first real taste of British humor.


Great job! Can you speak (or maybe a blog post would be better) about how you put this together? What did you have to do get/massage the data? What tech did you use, etc?

It's nice to see stuff like this coming out of Philly.


The site uses D3.js http://d3js.org. I'll write up a full recap later.


Is that because March 15th is the Ides of March?


Hollywood, please don't ever try to make live-action remakes of anime. Why can't they just show the anime itself? It was already good.

I highly recommend watching Death Note in its original anime form (preferably in Japanese with English subtitles). It's excellent. A little culture never hurt anyone. Every story doesn't have to take place in the U.S.


The anime form isn't the "original", but itself an adaptation of the manga. I don't have a huge problem in principle with media forms being adapted into other media forms, though, so that isn't really a knock against it. Imo whether an adaption is good is more interesting than the status as original/adaptation/remake. Some adaptations and remakes are good!


Yes, the original format is manga, and I have a few volumes -- the overlap is remarkable. As if Madhouse studios took the pictures, enhanced them, gave them a flow and breathed life into them with excellent voice acting and music.

The manga is outstanding because of the plot, but nothing beats the anime.


The extreme example is when the translation is actually better than the original, for a book.

Edgar Alan Poe's tales translated by Baudelaire are said to be one of such cases.


Maybe someone should publish a translation of Baudelaire's translation


My first reactions to this were "Thank god this abomination hasn't been green-lit" and "*@#& you Hollywood!"

Getting over that I can see how a looser translation could work. But don't call it Death Note. Calling it Death Note while whitewashing it and getting rid of many of the major plot characters and plot elements entirely is just asking for a colossal failure and fanbase revolt. It's like they didn't pay attention to the DBZ and Airbender fiascos.


The Japanese TV Drama industry is a much more frequent offender of such adaptations (as you may imagine, the outcome is almost always catastrophically bad).


I'll never understand the people that are hurt by changes to something that they could just avoid. Why does an American movie hurt it? Will it make you enjoy the original less? I'll also never understand the fascination with subtitles and the Japanese voice, which anime fans seem to think is more dramatic.

The people who read the original manga probably feel a certain way about the anime. The same way that people who read books feel about movie adaptions because they know there will be differences in it. A movie can bring things to a wider audience and then a lot of them may check out the original, which they may or may nor prefer.


>I'll never understand the people that are hurt by changes to something that they could just avoid. Why does an American movie hurt it? Will it make you enjoy the original less?

Because it spoils the 'reputation' of the original work? If the movie is done crappyly, then people will assume that the anime/manga will also be crappy.

>I'll also never understand the fascination with subtitles and the Japanese voice, which anime fans seem to think is more dramatic.

It's not that anime watchers hate english dubs. It's just that they hate crappy dubs. I watch a ton of anime and I usually prefer japanese with english subtitles, but sometimes the english dubs are better than the original and in that time, I'll stick with the english dub.

It's just a matter of which version has better quality voice actors and dialogues.


The usual claim is that it "ruins their childhood".


> Why can't they just show the anime itself?

The rationalization most moviegoers would use is one of legitimacy. Many people see film as the only "serious" medium for storytelling (live action TV is too cheap, books are too academic) and categorically dismiss newer media (video games, comics, etc.) as having no cultural value whatsoever. Thus, a good story is not actually good until it's a movie.

Hollywood loves this attitude and may be entirely to blame for it. It's hard to tell how many studio execs actually think this way though. I get the impression there are also a lot of people in Hollywood who don't believe in the concept of art.


Because an entire TV series is much longer than a movie.

* goes back to waiting for more of Rebuild *

Edit: Huh, if the last thing in a comment is an asterisk it becomes invisible.


i think The Matrix shows that it's at least possible to make a live action remake of an anime. i think what's actually needed is a director who understands the anime essense that well. eg the Wachowski bros

the Wachowski bros also directed Speed Racer (2008). it's one of my favorite movies and was 1,000,000x more awesome than it got credit for


What if I was on GitHub, looking at the kind of software the boss doesn't see the importance in using/writing?

Sometimes, "goofing off" is actually your employee preparing for a future job at a different company. Maybe even his/her own.


I wish there was an opposite post entitled "Things Employees Wish They Could Tell Bosses," but it would probably just be misconstrued as whining.

Sometimes, whining is a good thing. It brings real, honest feelings to the surface. Of course, as an employee, if you don't feel like you're being listened to, you tend to stop volunteering ideas.


to be fair, a lot of this post came across as whining too.


People who accuse others of "whining" are usually doing the same. They're expressing indignation at the possibility that the other side might have standing in some kind of negotiation.

The technique is to divert attention away from what is being said by complaining about how it is being said.


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