The sandbox is a lightweight Alpine-based container, it runs as a non-root user for security, it has minimal dependencies installed (curl, bash, coreutils)
The container has restricted outbound access—only HTTP/S requests are allowed. It runs inside an isolated network namespace with no access to the host network or other infrastructure components. There's no inbound access, and the container can't receive unsolicited requests from the outside world.
The sandbox container can only communicate with other containers in the same network, the main application container and sandbox container are on the same network, allowing them to communicate.
> Parquet library to use. If ‘auto’, then the option io.parquet.engine is used. The default io.parquet.engine behavior is to try ‘pyarrow’, falling back to ‘fastparquet’ if ‘pyarrow’ is unavailable.
> Any application or service using Apache Parquet Java library versions 1.15.0 or earlier is believed to be vulnerable (our own data indicates that this was introduced in version 1.8.0; however, current guidance is to review all historical versions). This includes systems that read or import Parquet files using popular big-data frameworks (e.g. Hadoop, Spark, Flink) or custom applications that incorporate the Parquet Java code. If you are unsure whether your software stack uses Parquet, check with your vendors or developers – many data analytics and storage solutions include this library.
Seems safe to assume yes, pandas is probably affected by using this library.
Well, you know, I see what you’re saying about Yoko - she’s not the kind of artist that makes your jaw drop or blows your mind with technique. But, to me, it’s not really about that. It’s about the journey, not the destination, right? Art’s all about the path you take, the experiences you collect, and the way you view the world. Yoko, for all the criticisms, has certainly led an interesting life, no doubt. She’s been a trailblazer, or maybe just a wild spirit, pushing boundaries and breaking norms. She’s had her share of ups and downs, but it’s the living that matters. And through it all, she’s remained true to herself. That’s something to admire, even if you don’t agree with everything she does. The destination, the fame, the recognition - that’s all fleeting. But the journey, man, that’s where the real magic happens.
> she’s not the kind of artist that makes your jaw drop or blows your mind with technique.
But to be displayed in MoMA she'd kind of have to be.
> Art’s all about the path you take, the experiences you collect, and the way you view the world.
I guess I see your point, the fact that she is the widow is also part of the artist and the artwork. That's fair. But, I'll also say that who she is is the 90% part and the 10% is the art. If one anonymized her work, it would never have made it to those galleries or exhibits.
That's underselling her influence as an artist from her pre-Beatles period. She produced a handful of important avant-garde pieces and performances from the 60s in NYC and London and was a student and collaborator of John Cage, an extremely influential composer who has had dozens of exhibitions at MoMA. In fact she first met The Beatles to request a song manuscript for a Cage book.
She was also well connected to that world (she was invited to join the Fluxus community and artists like Marcel Duchamp attended her NYC loft parties) and quite ambitious, so there's a non-zero chance she would have become even more prominent had The Beatles association never taken place.
I have no interest in that world myself, but to say she was a nobody without The Beatles simply isn't true, she was definitely a rising star. A household name? Probably not, but possibly. An artist from that period that could be exhibited at the major international galleries, have her works studied in art schools? Absolutely.
> But to be displayed in MoMA she'd kind of have to be.
While I agree with you about Ono’s art, I disagree on this. I know art is subjective, but in my times at MoMA I’ve found it bimodal: works on display there either blow ls my mind or I just don’t feel anything about.
You’re right that dietary changes can impact health, but there are other factors at play. Stress from moving to a new country or experiencing forced dislocation can have serious effects on physical health, weakening the immune system and disrupting overall well-being. Along with this, shifting away from nature-based vocations to more sedentary lifestyles contributes to health decline. The increased consumption of sugar and alcohol also exacerbates dental and general health issues. So, it’s not just diet but a combination of stress, lifestyle changes, and modern substances that contribute to health problems in these populations.
Its funny to read negative replies to your comment on the shortcoming's of web apps.
The browsers are controlled and manipulated by the likes of Apple and Google. These companies have a significant influence on the direction of browser features and limitations, often shaping them to suit their business interests. For example, Apple’s Safari and Google’s Chrome have been criticized for implementing features that reinforce their own ecosystems, such as limiting web push notifications or restricting certain web API functionalities to encourage users toward their native apps. This ultimately means that even in the browser world, the same forces that drive the app store monopolies can still control and restrict what’s possible, even if the web is inherently more open. So while web apps offer more flexibility than native apps in theory, the reality is that Apple and Google’s control over the browsers still limits the true potential of a completely open web.
> The browsers are controlled and manipulated by the likes of Apple and Google.
Who do you think controls Android and iOS native APIs?
Web standards at least have public forums and specs, with multiple parties involved. And all the major browser engines are open source and apps built for them are relatively cross-compatible.
